Kurt Schwitters Color And Collage' title='Kurt Schwitters Color And Collage' />Arte abstracto Wikipedia, la enciclopedia libre. El arte abstracto es una forma de expresin artstica que prescinde de toda figuracin y propone una nueva realidad distinta a la natural. Usa un lenguaje visual de forma, color y lnea para crear una composicin que puede existir con independencia de referencias visuales del mundo real. Abarca movimientos como el Expresionismo abstracto, el suprematismo, el action painting, De Stijl o el constructivismo. Las primeras innovaciones en el planteamiento artstico se atribuyen a artistas como James Mc. A List of Collage Art Links Links to Collage Artists Sites on the Internet. The Sunday Caller, 1982. Paper and textile collage on paper laid down on canvas, 28 x 34 inches. The Pool Game LI81, 1981. Oil on burlap, fabric, paper, printed. Visual design elements in fine art marks, lines, shapes, color, value, texture and space in painting and drawing, description and illustrations. Neill Whistler quien, en su pintura Nocturne in Black and Gold The falling Rocket, Nocturno en negro y oro el cohete que cae, 1. Asimismo, un inters objetivo en lo que se ve aparece en cuadros de John Constable, J. M. W. Turner, Camille Corot y la mayora de los pintores de plen air de la escuela de Barbizon. Paul Czanne haba comenzado como impresionista pero su reconstruccin lgica de la realidad desde diferentes puntos espaciales,2 usando el color para crear mdulos y planos, se convirti en la base de un nuevo arte visual que ms tarde desarroll el cubismo de Georges Braque y Pablo Picasso. Los pintores expresionistas exploraron el uso grosero de la superficie pictrica, dibujando distorsiones, exageraciones y color intenso. Los expresionistas produjeron pinturas cargadas emocionalmente que eran reacciones y percepciones de la experiencia contempornea y reacciones al impresionismo y otras direcciones ms conservadoras de la pintura de finales del XIX. Aunque artistas como Edvard Munch y James Ensor se vieron influidos principalmente por la obra de los postimpresionistas fueron decisivos para el advenimiento de la abstraccin en el siglo XX con obras como El grito y La entrada de Cristo a Bruselas. El posimpresionismo tal como lo practicaron Paul Gauguin, Georges Seurat, Vincent van Gogh y Paul Czanne tuvo un enorme impacto en el arte del siglo XX y llev al advenimiento de la abstraccin del siglo XX. Kurt Schwitters Color And Collage Blogspot' title='Kurt Schwitters Color And Collage Blogspot' />La herencia de pintores como Van Gogh, Czanne, Gauguin y Seurat fue esencial para el desarrollo del arte moderno. A comienzos del siglo XX, Henri Matisse y otros jvenes artistas incluyendo a los precubistas Georges Braque, Andr Derain, Raoul Dufy y Maurice de Vlaminck revolucionaron el mundo artstico de Pars con pinturas de paisajes y figuras salvajes, de mucho colorido y expresivos, que los crticos llamaron fovismo. El crudo lenguaje de color tal como lo desarrollaron los fauves directamente influyeron a otro pionero de la abstraccin Vasili Kandinski. Aunque el cubismo al final depende del tema representado fue junto con el fovismo el movimiento artstico que directamente abri la puerta a la abstraccin en el siglo XX. Pablo Picasso hizo sus primeras obras cubistas basndose en la idea de Czanne de que toda representacin de la naturaleza puede reducirse a tres slidos cubo, esfera y cono. Con la pintura Las seoritas de Avin, de 1. Picasso cre dramticamente un cuadro nuevo y radical representando un burdel primitivo y crudo con cinco prostitutas, mujeres violentamente pintadas, que recordaban mscaras tribales africanas y sus nuevas creaciones cubistas. El cubismo analtico fue desarrollado conjuntamente por Pablo Picasso y Georges Braque, desde alrededor de 1. Kurt Schwitters Color And Collage' title='Kurt Schwitters Color And Collage' />El cubismo analtico, la primera manifestacin clara del cubismo, fue seguido por el cubismo sinttico, practicado por Braque, Picasso, Fernand Lger, Juan Gris, Albert Gleizes, Marcel Duchamp e innumerables artistas hacia los aos veinte. El cubismo sinttico se caracteriza por la introduccin de diferentes texturas, superficies, elementos de collage, papier coll y gran variedad de objetos diversos unidos. Los artistas de collage com Kurt Schwitters y Man Ray y otros influidos por el cubismo fueron decisivos para el desarrollo del movimiento llamado dadaismo. Desde principios de siglo las conexiones culturales entre artistas de las principales ciudades europeas y norteamericanas se haban vuelto extremadamente activos conforme se esforzaron por crear una forma de arte que igualara las altas aspiraciones del modernismo. Las ideas fueron capaces de influirse mutuamente a travs de libros de artistas, exposiciones y manifiestos de manera que muchas fuentes estaban abiertas a la experimentacin y formaron la base de la diversidad de modos de abstraccin. El siguiente extracto, de The World Backwards, proporciona alguna impresin de las interconexiones de la cultura de la poca El conocimiento de David Burliuk de los movimientos de arte moderno debi ser extremadamente actualizados, pues la segunda exposicin Knave of Diamonds, celebrada en enero de 1. Mosc incluy no slo pinturas enviadas desde Mnich, sino algunos miembros del grupo alemn Die Brcke, mientras que de Pars vinieron obras de Robert Delaunay, Henri Matisse y Fernand Lger, as como de Picasso. Paul Czanne haba comenzado como impresionista pero su reconstruccin lgica de la realidad desde diferentes puntos espaciales, 2 usando el color para crear. Comprehensive biography covering his early training, mature and late periods, legacy and artistic influences. Pop Art was a style of modern art in the 1960s that used the imagery of massmedia, massproduction and massculture. Century Art Design Auction June 1, 2014 10 a. CST John Toomey Gallery Oak Park, IL. Second Session African American Fine Art Preview Dates Saturday, May. The wood collage is a type that emerged somewhat later than paper collage. Kurt Schwitters began experimenting with wood collages in the 1920s after already having. Now find announcements of upcoming exhibitions, images, and more on collageart. Books about Collage Collage Artists collageart. Dadas mockery, wit, and absurdity powerfully criticized European culture and opened new ways to make art. Revolutionary ideas by Duchamp, Ray, Hoch, Tzara. Durante la primavera David Burliuk imparti dos conferencias sobre el cubismo y plane una publicacin polmica, que el Knave of Diamonds iba a financiar. Fue al extranjero en mayo y regres determinado a rivalizar con el almanaque Der Blaue Reiter que haba emergido de los impresores mientras el estaba en Alemania. Algunos acercamientos al arte abstracta tenan conexiones con la msica. I/51SubsEm85L._SR600%2C315_PIWhiteStrip%2CBottomLeft%2C0%2C35_PIStarRatingFIVE%2CBottomLeft%2C360%2C-6_SR600%2C315_SCLZZZZZZZ_.jpg' alt='Kurt Schwitters Color And Collage' title='Kurt Schwitters Color And Collage' />La msica proporciona un ejemplo de una forma de arte que usa los elementos abstractos del sonido y las divisiones del tiempo. El mismo Vasili Kandinski, que tambin era msico, fue inspirado por la posibilidad de marcas y color asociativo resonando en el alma. La idea haba sido propuesta por Charles Baudelaire, que todos nuestros sentidos responden a diversos estmulos pero los sentidos estn conectados en un nivel esttico ms hondo. La dimensin espiritual y puede transcender la vida de cada da, alcanzando un plano espiritual. La Sociedad Teosfica populariz la antigua sabidura de los libros sagrados de la India, China en los primeros aos del siglo. Fue en este contexto que Piet Mondrian, Vasili Kandinski, Hilma af Klint y otros artistas trabajando hacia el estado sin objeto se vieron interesados en lo oculto como una manera de crear un objeto interior. Las formas universales e intemporales que se encuentran en geometra el crculo, el cuadrado y el tringulo se convirtieron en elementos espaciales en el arte abstracto eran, como el color, sistemas fundamentales que estaban por debajo de la realidad visible. Athelas Regular Font here. Abstraccin lricaeditarCronolgicamente, el lituano. Mikalojus Konstantinas iurlionis est considerado, por sus composiciones no figurativas fechadas en 1. Pero la abstraccin como un estilo moderno internacional, coherente, vio sus verdaderas bases establecidas por Vasili Kandinski. Su obra ilustra la llamada abstraccin lrica. Lleg, entre 1. 91. Mnich Der Blaue Reiter, del que l mismo formaba parte. A partir de 1. 91. Para el ao 1. 91. En Francia, Robert Delaunay elabor, desde 1. Chevreul sobre el contraste simultneo de los colores, sus Ventanas y sus primeras Formas circulares csmicas abstractas, mientras que Frank Kupka expona en el Saln de Otoo de 1. Amorfa, fuga de dos colores y en 1. Planos verticales azules y rojos. En 1. 91. 3 el poeta Guillaume Apollinaire llam orfismo a la obra de Robert y Sonia Delaunay. Lo defini como el arte de pintar nuevas estructuras a partir de elementos que no han sido tomados prestados de la esfera visual, sino que haban sido creados totalmente por el artista. Robert Rauschenberg Biography, Art, and Analysis of WorksPainting relates to both art and life. Neither can be made. Synopsis. Considered by many to be one of the most influential American artists due to his radical blending of materials and methods, Robert Rauschenberg was a crucial figure in the transition from Abstract Expressionism to later modern movements. One of the key Neo Dada movement artists, his experimental approach expanded the traditional boundaries of art, opening up avenues of exploration for future artists. Although Rauschenberg was the enfant terrible of the art world in the 1. Despite this admiration, he disagreed with many of their convictions and literally erased their precedent to move forward into new aesthetic territory that reiterated the earlier Dada inquiry into the definition of art. Key Ideas. Engaged in questioning the definition of a work of art and the role of the artist, Rauschenberg shifted from a conceptual outlook where the authentic mark of the brushstroke described the artists inner world towards a reflection on the contemporary world, where an interaction with popular media and mass produced goods reflected a unique artistic vision. Rauschenberg merged the realms of kitsch and fine art, employing both traditional media and found objects within his combines by inserting appropriated photographs and urban detritus amidst standard wall paintings. Rauschenberg believed that painting related to both art and life. Neither can be made. Following from this belief, he created artworks that move between these realms in constant dialogue with the viewers and the surrounding world, as well as with art history. Preferring to leave the interpretation of the works to his viewers, Rauschenberg allowed chance to determine the placement and combination of the different found images and objects in his artwork such that there were no predetermined arrangements or meanings embedded within the works. Most Important Art. Bed 1. 95. 5One of Rauschenbergs first combines, Bed transcends the line between painting and sculpture through its Dadaist assemblage of traditional materials and the detritus of everyday life. Rauschenberg coined the term combine to describe a series of works from the 1. Apocryphal or not, the legend behind the combine states that one day Rauschenberg ran out of canvas and turned instead to his bed linens, first scribbling on the pillow, sheets, and quilt with pencil, then rapidly dripping and spilling paint on them. He then stretched the bed linens over a rectangular wooden support, in the place of a canvas, and attached the pillow and quilt in a way that made it appear as if the bed was made with only one corner un tucked. He applied the paint in a loose, dripped, gestural fashion that calls to mind the authorial marks of Jackson Pollock and Willem de Kooning. However, the brushstroke in the combine was no longer a mark indicative of the artists psyche, but an appropriated symbol designating a shift towards the external world within the avant garde. The found objects present more of an accurate portrait of Rauschenberg than the dripped paint, as they were items that he owned and used in his daily life, rather than an aesthetic sign borrowed from a previous generation. Read More. Robert Rauschenberg Artworks in Focus Robert Rauschenberg Overview Continues Below. Biography. Childhood. Robert Rauschenberg was born Milton Ernest Rauschenberg in the small refinery town of Port Arthur, Texas. His father, Ernest, was a strict and serious man who worked for the Gulf State Utilities power company. His mother, Dora, was a devout Christian and a frugal woman. She made the familys clothes from scraps, a practice that embarrassed her son, but possibly influenced his later work with assemblages and collage. Rauschenberg drew frequently and copied images from comics, but his talent as a draughtsman went largely unappreciated, except by his younger sister Janet. Until he was 1. 3, he planned to become a minister a career of high standing in his conservative community. However, Rauschenberg discovered that his church called dancing a sin, and, as a skilled dancer himself, was dissuaded from a career in the ministry. He asked for and received a store bought shirt for his high school graduation present, the very first in his young life. Early Training. Following his parents wishes, Rauschenberg attended the University of Texas in Austin to study pharmacology, but was expelled in his freshman year after refusing to dissect a frog. The draft letter that arrived in 1. Refusing to kill on the battlefield, he was assigned as a medical technician in the Navy Hospital Corps and stationed at a hospital caring for combat survivors in San Diego. While on leave, he saw oil paintings in person for the first time at the Huntington Art Gallery in California. After the war ended, Rauschenberg drifted, eventually using the G. I. Bill to pay for art classes at Kansas State University in 1. On his arrival in Kansas City, he decided he would mark his new life with a new first name Bob. The following year, the newly anointed Robert Rauschenberg traveled to Paris to study at the Academie Julian. While in Paris, Rauschenberg met fellow American student Susan Weil, and the two became inseparable friends. He saved up enough money and followed her to Black Mountain College in North Carolina after reading about, and admiring, the discipline of its famed director, Josef Albers. Ironically, after Rauschenberg entered the college, Albers criticized his work frequently and harshly. Albers course on materials, in which students investigated the line, texture, and color of everyday materials profoundly influenced Rauschenbergs later assemblages. Rauschenberg and Weil stayed at Black Mountain for the 1. New York City, which Rauschenberg determined to be the center of the art world. They arrived as the Abstract Expressionist movement was just reaching maturity. In June 1. 95. 0, Rauschenberg and Weil were married, and in August 1. Christopher. In 1. Rauschenberg split his time between the The Art Students League in New York, where he studied with the instructors Morris Kantor and Vaclav Vytlacil during the academic year, and Black Mountain College, where he spent the summer. His ambition secured him a prestigious solo show at the Betty Parsons Gallery in New York, exhibiting a series of White Paintings with scratched numbers and allegorical symbols 1. Rauschenberg continued his paintings in white at Black Mountain College, where he rolled white house paint onto canvas with a roller. The flat white canvases were influenced by their surroundings, reflecting shadows of people and the time of day. He was also encouraged by the painter Jack Tworkov to explore black. His Black Paintings 1. Also while at Black Mountain College, Rauschenberg met the minimalist composer John Cage and the choreographer Merce Cunningham, who both taught at the college and advocated the use of chance methods, found objects, and common, everyday experiences within high art. All of these ideas proved to be major influences on the young artist. Robert Rauschenberg Biography Continues. Early Mature Period. On Rauschenbergs return to New York from Black Mountain in fall 1. Weil filed for divorce and brought Christopher to live with her parents.